Centennial tour makes local stop
By Ian Tennant
The Eagle
A genuine country troubadour is on the last legs of his Alberta centennial tour of 100 shows, including a barn dance southwest of Cochrane on Aug. 26, but the real work begins after Sept. 1.
Matt Masters and The Gentlemen of the Rodeo had the top floor of Lindsay and Joy Eklund’s red barn hopping last Friday as couples two-stepped with as much grace, if not more, as Texas honky tonk veterans.
It was show number 92 for the Calgary singer/songwriter. Even though show 100 was set for a CBC centennial celebration in Edmonton Sept. 1, now up in the air because of the labour dispute, Masters will complete a quest that started on Boxing Day 2004.
While chatting with Jane McCullough, program director for CJSW, the University of Calgary (U of C) student radio station, about CJSW’s 20th anniversary, the 10th anniversary of Rock Central (a house Masters and his mates rented that became famous for its annual raucous Stampede breakfast), Masters said: “I should play 100 shows in Alberta this year.”
“Yes you should,” McCullough replied.
The plan was simple: play 100 shows and mine the province for songs — either written by an Albertan, performed by an Albertan or about Alberta.
Masters then set to planning his Alberta tour. He e-mailed every MLA, chambers of commerce, any one that might help.
His first show was Feb. 15 and one e-mail led to a Canada Day opening slot before Cochrane legend George Fox. But for the most part, official Alberta support was not there. Masters did receive a letter from Premier Ralph Klein wishing him good luck, and one from Minister of Community Development Gary Mar.
Masters had to turn to the federal government for funding to help honour Alberta’s 100th birthday.
With the assistance of CJSW, Masters will get a $15,000 grant, $5,000 of which will help with tour costs, while the remainder will go towards a book of scores of the Alberta songs he has gathered.
Two CDs will accompany the book. One will feature Masters’ versions of Alberta songs, including 50 per cent of them written by women, and some originally scored in French, Ukrainian and German.
The second CD will feature Native singers, which will require some research.
The U of C history graduate will lean on that institution’s history department, which also provided crucial support in securing the federal grant, to get the songbook published.
“I want to do a quality job,” said Masters before hitting the stage at LJ Ranch.
He’ll have his hands full picking 10 songs from 10 decades for the CD. “That’s the challenge of the songbook.”
And since his first show Feb. 15, whether solo or with his band — nifty guitarist Greg Cockerill, Dylan Sadlier-Brown on upright bass (since replaced), and drummer Daren Powell, a tall drink of water occasionally seen riding around Water Valley — Masters has had his “ear to the ground” for tunes.
At a rodeo in Edson, he overheard a Native woman, Pearl, singing one of her own creations.
“She sang a song of hers that was really, really pretty,” he said. “There are so many different people in this province.”
Masters has noticed that Alberta music created before Ian Tyson became a national treasure, or Gordon Lightfoot penned “Alberta Bound,” is not well known.
For example, an Irish song called “Little Sod Shanty”, of which there are various versions, became a pre-pioneer song when it was carried West. Another version emerged in the late-1910s that was known as “Mansion by the Bow”.
Wilf Carter got hold of the tune and turned it into “Calgary Roundup”, a song about the Stampede he recorded in 1935.
“In 30 years we went from nothing to something in one song.”
At a Calgary nightclub Aug. 29 (show 96) Masters played “Little Sod Shanty” to the delight of the young crowd that was exuberant but not as gifted with the dance moves as the LJ Ranch couples.
The affable 29-year-old has played shows in seniors’ homes, rodeos, radio stations, a casino, classrooms and bars.
“I really enjoyed playing elementary schools,” he said. “They are into it.”
But the main joy for Masters appears to be recording Alberta’s musical heritage for posterity.
“It’s a legacy thing.”
The tour is about reaching people, but the songbook, a copy of which will be sent to every Alberta school and library, will be there 100 years from now.
“The book is really what’s going to stick around.”

